CHOKING HAZARD - New World In Vogue

A solo exhibition of Claude Estèbe - curated by Myrtille Tibayrenc

6 Sept – 31 Oct

Opening reception 6th Sept 2012 6pm

L’Atelier

The cozy bistro chez Pepin will reopen after a long break, with a new concept and design. The second floor will be a contemporary art exhibition space ran by Myrtille Tibayrenc, director of the Toot Yung Gallery.

CHOKING HAZARD - New World in Vogue

Fashion dolls are dangerous for children, as stated by the label CHOKING HAZARD ubiquitous on all toy packaging. They can break down into dangerous fragments: shoes, bags, hats, accessories, arms, legs, and heads. These fragments are a metaphor of the industry of beauty focusing exceedingly on isolated parts of the body. In this process the global harmony of the human figure is lost. The new Eve is the plastic daughter of Frankenstein.

…………………………………………………………………………………………………………………………………………………

Claude Estèbe, French scholar in Japanese visual culture, has staged several exhibitions as a curator and photographer in Japan, France and Thailand. He is currently teaching at Paris’ University of Oriental Languages and researching on Japanese monster movies.

l’Atelier

Pépin Bistrot, 186/3 Suan Phlu soi 1, 10120 Sathorn, Bangkok

Open Mon-Sat / 11h30-14h30 – 17h30-midnight

Tel: 0849145499 (Exhibitions) - Tel: 0860691868 (Bar/Restaurant)

Further information about the artist

www.tootyunggallery.com - www.claudeestebe.com

QUEERNESS by Piyarat Piyapongwiwat

QUEERNESS by Piyarat Piyapongwiwat
15 March - 30 April 2012
Opening reception Thursday 15 March, 7pm
Toot Yung Gallery
www.tootyunggallery.com

In 2002, the Thai Ministry of Health publicly declared that homosexuality was no longer to be regarded as a mental illness or disorder. Homosexuality if fairly accepted in the Thai society nowadays compared to other countries. There is quite a number of public figures who are openly gay, lesbian or transgender. Nonetheless, there is no governmental recognition of queer couples in Thailand and they are still regarded as gender bias by local communities.

Last year, Piyarat Piyapongwiwat started a photographic project named Microcosm through which she explored the family structures in Thailand. She took a large series of family portraits in their houses and realized that gay couples lived alone, out of the Thai family structure norms. She decided to survey the middle class established queer couples in Bangkok and started the “Queerness” series.

Unlike most contemporary photographers exploring this subject, Piyapongwiwat chose to have a very restrained approach of her models. There is no nudity or sexually explicit poses in the photographs. There are no obvious elements pointing out their sexual tendencies. There is no theatrical display either, no colourful backgrounds or studio lighting as in Catherine Opies’s transgender series. Her photographs are not crude “stolen” stills as in Nan Goldin’s work; Piyapongwiwat’s models are posing and looking at the camera, aware of the full content of the project. The posture and composition of the models was inspired from the classical studio photographs as to emphasize the commonness of these couples.

Piyapongwiwat selected couples who were living together for at least one year. Her main focus is to point out the fact that these “ordinary couples” do not have the same social rights as heterosexual couples even though everything from an outsider point of view shows that they are very similar. She started by shooting herself with her girlfriend, then close friends, and then friends of friends etc. She noted that there are still a lot of couples not ready to reveal their sexual tendency. A number of them do not want to expose it to their professional surroundings, or simply to their own families. It is still somehow something to be ashamed of.

As the photographer puts it:
“People should have the right to choose their own sexuality, beliefs, values and different ways of life. Should we really be living in a society which has only one truth without any space for diversity?”















Biography

Piyarat Piyapongwiwat, b. 1977, Phrae, Thailand

Piyarat Piyapongwiwat (b.1977) is a Thai visual artist based in Bangkok. She had a degree in Communications and worked in film production for several years before she decided to pursue her study in Fine Arts at Ecole Supérieure des Beaux-Arts de Montpellier Agglomération in France.

Piyarat mainly works through the medium of photography, video and installation. Her work is concerned with a variety of cultural issues, identity and representation.
She mixes social commentary, references to philosophy, documentary conventions and aesthetics of everyday life in her works.

She has held three group exhibitions, including Quinzinzinzili (2010) in France, City of Angels/Identity Crisis (2011) in France and VAFA (2011) in Macau, South China. Her video works have been screened in many international video festivals and programs, including Soirée Flare #13 in France (2010), AND festival in UK (2011), 5th Indonesia International Video Festival in Indonesia (2011) and 28th Kasseler Dokumentarfilm und Videofest in Germany (2011).

The Toot Yung Gallery is very pleased to present Piyarat Piyapongwiwat’s first solo exhibition, “Queerness”. Piyarat Piyapongwiwat who recently graduated from the Beaux Arts School in Montpellier, France, mainly works through the medium of photography, video and installation. Her work is concerned with a variety of cultural issues and identity. For the present exhibition she chose to explore the established gay and lesbian couples in Thailand. The photos, which present no artifice, have a very classical feel in the simplicity of the compositions as to underline the fact that even though these couples are like any other couples they are still regarded as gender bias by local communities.

The Toot Yung Gallery would also like to announce that it will move to a new space soon. We take this opportunity to thank Laudine Dubeaux and Arnut Saento for their very kind support since our opening in 2010. This will be the last exhibition in the shared space with Chez Lodin bar, so come and enjoy this last party with us! The new space’s location will be announced shortly.

For further information please contact the gallery director:
Myrtille Tibayrenc
Toot Yung Gallery
tibayrenc@yahoo.fr
0849145499
www.tootyunggallery.com

Pakitsilp Varamissara, Retrospective

3-28 Feb 2012
National Gallery
With the support of the French Embassy
In the framework of La Fete, French Cultural Festival

Discover the astonishing dream-like world of Pakitsilp Varamissara!
Pakitsilp’s solitary pictorial quest is unclassifiable and illustrates his journey through life. The Chiangmai-born artist oscillates between tradition and modernity, and his style is subtly influenced by the style of Lanna. During a trip to France, initiated by Toot Yung Gallery in 2009, Pakitsilp Varamissara discovered and was inspired by the great French masters; he radically simplified his technique and began using the vibrant colors that characterize his work. For the first time, a retrospective is devoted to this independent artist and presents approximately 100 works produced over the past 30 years.

Date: 3-29 February
Venue: National Gallery >> Express boat pier 13 (Phra Arthit)
Time: Wed. to Sun from 9.am to 4.pm
Opening on 3 February from 6.pm to 9.pm (Free admission)
Further information on: www.tootyunggallery.com

Exhibition 2: Work in-situ
Date: 24 February > 31 March
Venue: Pullman Bangkok King Power Hotel (lobby) >> BTS Victory Monument
Time: Daily from 9.am to 9.pm
Opening with DJ on 24 February from 6.pm to 8.pm with DJ Baptiste (+ special guest DJ Kheops and DJ Daj from IAM – to be confirmed) - (Free admission)

Organized by Toot Yung Gallery / Curator: Myrtille Tibayrenc


The Sculptor's studio 2, 90x90cm, acrylic on canvas, 2008


Orange sky, 70x180cm, acrylic on canvas, 2010


French beach, 240x180cm, acrylic on canvas, 2009

SEX

SEX
Curated by Brian Curtin and Ohm Phanphiroj

Toot Yung Gallery, Bangkok
16 December 2011 – 20 January 2012
Opening reception 16th December 2011 starting 7pm

Imathai Suwatthanasilp
Michael Shaowanasai
Ohm Phanphiroj
Stephen Chalmers
Tada Hengsapkul
Tawan Wattuya
Thunska Pansittivorakul



Toot Yung Gallery is very pleased to announce an exhibition of visual art that claims a sensational topic in order to confront and play with its implications and ramifications.

Stephen Chalmers photographs rural sites where serial killers dumped their victims of horrendous acts, long after the fact. These works provoke the dark extremes of our imaginations while paradoxically refusing the spectacle of sex and death. Tada Hengsapkul employs pornographic and art historical codes to insist on sexual expression as a form of power and confrontation. His chiaroscuro photographs of bodies and couplings also demand that sexual explicitness and aesthetics not be considered antithetical. Ohm Phanphiroj’s sun-kissed portraits of undressed men emerge from personal encounters to become universal paeans to seduction and lust. Michael Shaowanasai examines the bland categorical terms by which transgressive sexual desires and practices can be represented; Shaowanasai re-images flyers and other ephemera from European sex clubs. Thunska Pansittivorakul and Imathai Suwatthanasilp appropriate symbolism from everyday life to suggest how sexuality can be a productive force in seeing the world afresh. And Tawan Wattuya faces the gritty, bodily, terms by which sex and sexuality is performed.



Preeminent scholars of sexual representation have long since pointed out that only the laziest understandings believe images of sex and sexuality to be self-evident in their meaning or significance. Moreover, it is misguided to perceive the production of such imagery as always relative to taboo and prohibition. SEX embraces complexity and diversity with the aim of raising urgent local questions about relationships between art practice, the politics and pleasures of visual culture, and the terms of interpretation and subjectivity.



TOOT YUNG GALLERY - www.tootyunggallery.com – 19 Prachathipatai Rd. 10200
Phra Nakon Bangkok Thailand - Tel: 66(0)849145499 - mail: tibayrenc@yahoo.fr

TUKATA, Post industrial Venus

A solo exhibition of Claude Estèbe
Toot Yung Gallery
3 Sept - 15 Oct 2011
Opening reception 3 Sept starting 7pm
www.tootyunggallery.com



Claude Estèbe is a French scholar in Japanese visual culture. He organized several exhibitions as an independent curator in Japan and Thailand ( including First photographs in Siam, Queen Gallery 2008) or as a photographer. He published The Last Samurais and The Dawn of Geishas. He was fellow artist at French Villa Kujoyama in Kyoto in 2001 and is now teaching in Paris (University of Oriental Languages) and writing a study about Gojira and Kaiju eiga (Japanese radioactive monsters movies).

No name dolls
This exhibition is about femininity, modernity and economic globalization in Asia. The tiny no name dolls used as models for Claude Estèbe’s photographs are a ghostly testimony of the millions of women working in small Asian factories for the sake of economic development. Unlike Michael Wolf, Claude Estèbe does not concentrate on the accumulation of thousands of toys; he isolates some chosen dolls, which have a sense of mirroring humanity emanating from their defects and astonishing bright pop colors. These toys were never intended for exportation in western nations but aimed for local market. Although they are mass products, these cheap plastic figures are still painted by hand, and their design retains something of their own visual popular culture. In this sense, these no name dolls are somehow fragile and human. Unlike the perfectly cloned copyrighted American fashion dolls with their stereotyped aggressive smile, the very own defectiveness of these petite dolls make them unique.

Divas
The first series focuses on close-up of faces. The thin plastic catches gorgeously the light and the defaults of the materials oddly giving life to the dolls, providing them with a human skin with pores and life marks. In sharp contrast, a unique perfect red smile is painted by an anonymous artist’s hand. The mouth, according to classic Asian esthetic, is small and closed avoiding showing the teeth. As Japanese writer Tanizaki wrote sarcastically in ‘In Praise of the Shadows’, the toothed white smile of Western people echoes the cold hygienic white of sanitary ceramics…



Agent Orange
Claude Estèbe’s work on some dolls echoes the concept of French philosopher Jean Baudrillard in his book “Simulacra and Simulation”. Especially in his series of Agent Orange, the dolls, which are supposedly an alter ego of young girls, a way to identify with a perfect feminine figure, are almost lost in abstraction. The distinction between reality and representation vanishes. When the defaults of mass production go too far the dolls become creepy, with damaged bodies. These dolls have been copied so many times and with such poor material and care that their lack of realism pushes them away in an inhuman shape.



Global fairies
The arrival of the Peak oil dooms the era of cheaply made plastic products. These are already vanishing symbols of the decaying global trade. As natural resources decrease the pollution produced by fossil energies jeopardize the ecologic balance of the planet. Claude Estèbe likes to see the smallest of these dolls, made in Thailand, as trooping fairies of our times, helplessly witnessing the global weather change.



Tukata
Due to mass production constraints, the plastic bodies are dramatically simplified. Nonetheless, they are still oddly seductive and powerful, bringing back pure primitive energy echoing the animist feminine deities of the Bronze Age; A post-industrial mythology, showing a kind of “Neolithic intelligence” to quote Claude Lévi-Strauss, who linked timelessness with the savage mind.

For further information please contact
Myrtille Tibayrenc. Director and curator

Toot Yung Gallery
www.tootyunggallery.com
19 Prachathipatai Rd. 10200 Phra Nakon Bangkok Thailand
Tel: 66(0)849145499 - mail: tibayrenc@yahoo.fr

Familiar Faces
7 july - 20 august 2011
TootYung Gallery
Opening reception : Thursday 7th of july


FAMILIAR FACES
By Unchalee Anantawat

Toot Yung Gallery is pleased to present "Familiar Faces",
solo show by Unchalee Anantawat.

"I travelled around my mind, wandering around and found those Familiar Faces."


In the pond, Print on paper, 20 editions signed.

Unchalee Anantawat was born in Bangkok in 1982 and has exhibited throughout Australia and Thailand as both a solo artist and as part of Melbourne based audio-visual collective Tape Projects. Her work has ranged from temporal, site-specific installations and performances to colour-saturated text illustrations and she has degrees in Graphic Design from Chulalongkorn University, Bangkok and in Animation & Interactive Media from RMIT, Melbourne. Now back in her hometown, Unchalee is teaching as a illustration/stop motion lecturer in Chulalongkorn and Bangkok University and of course, still working her way out as an explosive young thai artist.


Crystal collectors, Print on paper, 20 editions signed.


In this exhibition Unchalee presents an installation and a selection of drawings, paintings and limited prints (for some) extracted from her book Observable Universe freshly published in Australia. Through this psychedelic gallery of portraits, Unchalee is introducing us to her intimate universe. An amazing technicolor family where human forms and celestial creatures intermingle, intermesh with sensuality and humor.


Lovers, Print on paper, 20 editions signed.


Threads man, 18x24cm, color pen on paper.

For further information and all works, please visit the Toot Yung Gallery website:

www.tootyunggallery.com

DUCKOCRACY by Mit Jai Inn

DUCKOCRACY by Mit Jai Inn Ephemeral installation to stimulate political dialogues
Thursday April 7th 2011 starting 10pm - Sneak preview of the installation.

Sunday 10th starting 6pm - Around the installation, poetry reading, slam and experimental music, culinary social art.




The Toot Yung Gallery is proud to be the scene of Mit Jai Inn’s Duckocracy from the 7th to 10th of April 2011.
Implying a parallel between his humorous and satirical installation and Thailand’s political system, Mit Jai Inn aims to open the dialogue of the engagement of Thai artists towards the Thai political disorder and the construction of the society. Feeding and raising a large number of ducks for several weeks, Mit Jai Inn questioned himself about the present political system in Thailand. Following books by Conrad Lorenz, he noticed that ducks can be educated to almost anything; you just have to place the correct information in its brain at the right time of his life. His readings and observations led him to think that Thai people were treated as ducks by the power in place and hence, acted as ducks! Inspired by the very influential book by George Orwell, The animal farm, Mit Jai Inn decided to build an allegorical installation reflecting Thailand’s society, people and power system.
Mit Jai Inn’s installation is not an end to itself but rather serves to unfold a more complex knot of concerns about how Thai people and especially artists engage themselves towards the current political situation in Thailand. It is an invitation for all (and with different opinions on the actual political issues in Thailand) to gather and talk openly. This ephemeral installation will be the scene for poets, musicians and culinary artists to develop ideas for a better social and political system in Thailand.
Schedule and details:
7th April 2011 starting 10pm:
Sneak preview of the installation “Duckocracy” by Mit Jai Inn
10th April 2011 starting 6pm:
Poetry reading by:

1. แก้วตา ธัมอิน
2. . ปิยะชาติ จองทอง
3. อโลชา เวียงพงศ์
4. ชัชชล อัจนากิตติ
5. อาณัติ แสนโท
6. สุเจน กรรพฤทธิ์
7. พันธ์ศักดิ์ ศรีเทพ

Culinary social art experiment by: กฤช เหลือละมัย

Slam and experimental music by Lionel Scherer (French) & Bird To Propeller (Thai)
Abstract music by Alessandro Alexander Stone Aresta (Italy)
The profit of the food and drinks sold during the 10th of April will fund a book gathering all poems written specially on this occasion, translated to English, available at the gallery starting May 2011.

Further information:
TOOT YUNG GALLERY - www.tootyunggallery.com
19 Prachathipatai Rd. 10200 Phra Nakon Bangkok Thailand
Tel: 66(0)849145499 - mail: tibayrenc@yahoo.fr

SKALL - SILAGI

SATURDAY 15 JANUARY 2011 7 PM TOOT YUNG GALLERY

Opening exhibition of Hungarian artist SI-LA-GI and performance by French artist SKALL

On the theme of society secrets, Hungarian artist SILAGI produced an in situ work during two weeks in the Toot Yung Gallery.

On the 15th January the result of the work will be visible during the opening reception starting 7PM. On the same evening you will see a playful and colorful performance by French artist SKALL.

SI-LA-GI

SI-LA-GI was born in Tokaj, Hungary in 1949 and emigrated via Italy to Sweden in 1966.
There he studied painting at the Academy of Fine Art and later continued his studies at the University of Stockholm (Science of visual arts). In the meantime he also worked with experimental film and photography in the 1960s and from 1973 also with videos. He was the pioneer in the mid-1970s who began making installations using video. At the end of the 1970s he was co-founder of the Video Nu Studio in Stockholm which gave artists the opportunity to create experimental arts. In his art he uses diverse media, including photography, video, sculpture and installation. His works are concept and philosophy-based investigations of impermanence, life and death, and individual opportunities. Between 1980-1986 he taught art video and painting in Stockholm. He has travelled widely throughout the United States of America, Africa and Asia, where he developed his interest in Buddhism. His martial art studies and long Buddhist retreats have had a great influence on his concept-based art.

more about the artist:
http://www.si-la-gi.com/home/

SKALL

Since the 80ies French artist Skall has elaborated a unique work between, sculpture, installation and performance.
This black sheep of the French contemporary art scene evolves in a world of Baroque hybrid figures and objects. The works remind of certain religious ornaments, in which relics, sculptures and amulets are presented on stands, in glass boxes, or cushions with an infinate string of decorative elements meant to highlight the presented object and lift it to a sacred stage.
As his sculptures and installations, Skall's performances lift him to a different stand. By accumulating chosen objects, for their beauty or symbolism his body slowly evolves in a non human creature. Every performance is a splendorous metamorphosis; An explosion of colors and forms giving birth to an ephemeral God, Faune or mystical animal.

more about the artist:
http://www.galerie-mam.com/index/index.php?id=21&subid=2&nr=89
http://www.artween.com/Galleries/Mario-Mauroner-Contemporary-Art-Vienna/SKALL-A-Light-Beyond-Darkness
http://vimeo.com/10106874

No Superego by Tada Hengsapkul

TOOT YUNG GALLERY 19 JAN - 4 MAR 2011
OPENING RECEPTION 19 JAN 7 PM ONWARDS

TOOT YUNG GALLERY
19 PRACHATHIPATAI RD.
10200 Phra Nakon
Bangkok Thailand
Tel: 66(0)849145499
mail: tibayrenc@yahoo.fr



Tada Hengsapkul, born in 1987 in Nakhon Ratchasima, has had a camera in his hands since the age of fifteen. This very passionate young Thai photographer uses film cameras and video to capture hidden identities of his homeland, Thailand. He has recently received his Bachelor’s Degree of Art of Photography from Pohchang Academy of Arts.



“No Superego” is a selection of recent and older photos and videos taken over the past 5 years. Topics approached are gender, nature, and sexuality;

Tada Hengsapkul’s photographs often awake a sense of nostalgia. Using mostly film cameras he favors the candid and unplanned over the technically polished and precise shots. The raw, snapshot-like quality of his photographs, evoke films in their look and sense of storytelling.



In his photos and videos Hengsapkul offers an intimate glance at “his” Thailand; His close friends, schoolmates, lover, family, neighbors, and also the nature, the Thai countryside where he was born. The freshness and realism of his photos shift conventional standards of image making in Thailand as well as old power structures and pre-defined gender roles. The crudeness of the nudes, the sexually explicit pose of his models, and the irony of certain scenes emphasize the gap between his works and photos which are praised by the local critique and censorship board. Hengsapkul is attracted by the reality surrounding him. As a response to the watered down photos found in the local magazines and television shows, Hengsapkul focuses on shooting reality with no artifice.

His works could be closely inspired by contemporary photographers such as Wolfgang Tillmans, Richard Billingham, Philip-Lorca diCorcia or Nan Goldin. The overall emotion landscapes sometimes resemble works by Thai filmmaker Apichatpong Weerasethakul.



This exhibition is Hengsapkul’s first solo show in Bangkok; it presents a broad selection of quality works. From landscapes to nude, portraits and abstract color fields Hengspkul’s photos all have a strong emotional and elegiac core which will certainly not leave the viewer indifferent.

Press conference PEACE MANIFESTO. Can I Marry Myself? Yes!!

Chez Lodin + Toot Yung Gallery are pleased to invite you to attend Mathieu Ha’s Press Conference during which he will present his Peace Manifesto and the right to marry with himself

Tuesday November 23rd 2010 starting 3.30 Pm at Chez Lodin + Toot Yung.

PRESS CONFERENCE SCHEDULE
TUESDAY 23 NOVEMBER 2010

15H30
REGISTRATION

16H
PRESENTATION OF MATHIEU HA S PEACE MANIFESTO

17H
COFFEE BREAK + VISIT OF THE EXHIBITION

17H30
MINI CONCERT BY MATHIEU HA


I, Matthieu Ha, aged 37, a Belgian of French-Vietnamese orign, father of two children born to two different mothers;
I, Matthieu Ha, whole artist (musician, graphic artist, etc);
I, Matthieu Ha, claim the right to marry myself.

This engagement was revealed to me while I was making a series of sketches entitled The Depraved Tortoises of a Chaste Man. The depraved tortoise has a penis in place of a head. She determines her feminine gender in an unidentified tantric act. She is positioned between vice and virtue, between thought and after-thought. It is as if, by magic, I was transformed into these tortoises.
This matter led me to take a vow of chastity for eight months. After analysing the sketches, at the end of the period of chastity, I concluded that I must marry myself.
I must note that many people, including those I’ve consulted in the fields of psychoanalysis and new mathematics, have felt inspired by this idea. As André Malraux said, “The 21st century will be spiritual or will not be at all.”

The modern world nourishes doubts, as much on the level of its space, its chronology and its species, as on the level of its destiny. The explanation/solutions which we are given are often in response to an equation appropriated by the world order: Grenelle-Copenhagen, bank rescues, Afghanisation, Iraqisation, Brusselisation, religion, secularism, art. No longer for cosmic coherence, but rather for consumerist conscience.
People are driven towards a total resignation, losing the legibility of older visions of hope. For some, the hour is ideal for making war, for selling a country and for putting our souls to sleep.
But behind this sombre panorama, there are currents of alternative ideas, arising in the face of the dictates of culture and belief. Among these is marriage with oneself. … not to drown in the reflections of narcissism, but to learn about myself. I marry myself with all sincerity, so that my peace may shine on others.
Marriage with oneself is a contagious act of solidarity, which does no harm to anyone. Marriage with oneself is an act which participates in the civil mechanics of our society.

Marriage with oneself is a new point of departure in the modern world, giving power to the smallest common denominator.
I would like for the ceremony to take place in a church – I am Catholic – and in a town hall in Bangkok. In order to receive the recognition of these institutions on par with traditional marriage, and since this act is not yet officially accepted, I call upon a maximum of witnesses to support my marriage.

The right to marry to myself is a litlle step for the peace and a bigest for the humanity

MATHIEU HA

At this time:

- I consider myself in the Wholeness of Things, while all I am associated with is of advantage to myself.

- I recognise my biography

– past, present, future – as a timeline of one day, the longest day.

- I sublimate the isolation of my being in favour of a rebirth sufficiently individualist to take my destiny in hand with love.

- I renew myself, I reappear, I rub shoulders with myself, I am realised.

- I promise to be faithful to myself for better and for worse.



FOR FURTHER INFORMATION
AND REGISTRATION PLEASE CONTACT

CHEZ LODIN + TOOT YUNG GALLERY
19 PRACHATHIPATAI RD.
PHRA NAKON 10200 BANGKOK
TEL: 0849145499
E-MAIL: tibayrenc@yahoo.fr

GARDEN OF EDEN, WOODCUT PRINTS BY DONKAJOHN KAWEETARAPAKORN

Garden of Eden by Donkajohn Kaweetarapakorn
18 Nov 2010 - 5 jan 2011

Opening reception 18 Nov 2010 at 6.30 Pm.

Exotissimo Gallery

Exotissimo Gallery in collaboration with Toot Yung Gallery is pleased to present “Garden of Eden”, the first solo exhibition of Chiang Mai based artist Donkajohn Kaweetarapakorn. Donkajohn Kaweetarapakorn is a self taught artist. He was born and raised in a rural area of North Thailand before coming to Chiang Mai for his studies. There he met the young Thai artist Sun. with whom he started to engage in the art world. He learned the technique of woodblock print which he has explored for the past two years. He lives in the mountain over Chiang Mai in a paradise like atmosphere where he leads a life in tune with nature and free of constraints of the modern city mores. Donkajohn is in search of a more vital and authentic way of life in which his creativity can evolve freely. With a deeply romantic vision of his art, Donkajohn sought to express the primal and elemental forces of life. His prints, done in an even very thin line, focus mainly on the human figure. The purity and simplicity of the line can be compared to some of the latest drawings and ceramic works by Jean Cocteau, also expressing themes of sexuality and gender as well as more symbolic approaches including stylized figures and animals.

THE VICIOUS TORTOISES of A CHASTE MAN A solo exhibition of Mathieu Ha 29 October 2010 – 10 Dec 2010

THE VICIOUS TORTOISES of A CHASTE MAN
A solo exhibition of Mathieu Ha
29 October 2010 – 10 Dec 2010

Toot Yung Gallery
Opening reception and live Syst aime sound performance on
October 29 starting 7pm at Toot Yung Gallery



Matthieu Ha, a 37-year-old Belgian artist of French-Vietnamese origins, is known to be an atypical artist musician and performer. He has traveled the world as a solo performing artist musician and with his music band the iiiiistes. Mathieu Ha does not sing in words but lets the sounds and the music be what they are and carry the meaning. He is a natural improviser, interacting with sounds around him, experimenting with difficult social contexts and using music truly as a means of communication.

The Toot Yung Gallery is proud to present for the first time his visual art work. “The Vicious Tortoises of a Chaste Man” were born from sketches he made in 2010 during an art residence in France. The Vicious tortoises have a penis in place of a head. They determine the feminine gender in an unidentified tantric act. They are positioned between vice and virtue, between thought and after-thought. These drawings were a revelation to Mathieu Ha. It is as if, by magic, he was transformed into these tortoises. This matter led him to take a vow of chastity for eight months. After analysing the sketches, at the end of the period of chastity, he concluded that he must marry himself.


hand made book-silkscreen on paper with leather cover- 2010

Confirming his original attitude, he has called a press conference to claim the right to marry with himself. Matthieu Ha believes that, with the current global spiritual crisis, a marriage with oneself is a solid initiative that can contribute to global peace and advance humanity. The artist will explain the reasons that led him to the decision at a press conference to be held at the BKK ARTHOUSE gallery (21-10-2010 at 6:00 pm) during which he will expose his Bangkok Peace Manifesto.

Mathieu Ha is currently living in Bangkok in view of his big music and arts festival BANGK(zero)k which will take place from 18 to 25 December 2010.

The proceeds of the sale of his works during the show at the Toot Yung Gallery will benefit the Bangk(Zero)K Festival in which international and local musicians, performers, writers and artists will participate. For this occasion the Toot Yung Gallery will propose very accessible art works by Mathieu Ha, transforming the gallery in a concept store.



silkscreen on paper-2010-A3


silkscreen on paper-2010-A3

For further information please contact:

Myrtille Tibayrenc
Toot Yung Gallery
0849145499 - tibayrenc@yahoo.fr
19 Prchathipatai Rd. Baanphanthom
Khet Phra NakhonBangkok 10200

Sculpture workshop with Artist Haritorn Akarapat Sunday October 17 2010

Under the guidance of Haritorn himself you ll be creating your own clay sculpture and will learn how to cast a plaster mold and plaster copies of the sculpture. For those who are interested another workshop will be held to cast the sculpture in bronze.

The workshop is opened to children and adults. No age limit.

600 thb includes all material + coffee break.

Please be so kind to confirm your presence before Saturday 16 Oct 2010


Myrtille Tibayrenc
Toot Yung II Gallery/ Treetalks restaurant 16/17 Praditmanuutham Rd - Khwaeng Ladprao - Bangkok 10230 Thailand
0849145499 - tibayrenc@yahoo.fr


works by Haritorn Akarapat